Yesterday I blogged about a Baldix 6×6 folding camera c.1950 that I found in a thrift shop, with an old roll of film inside. The film was Kodak Ektacolor 160, which has not been made since the late 1990’s, from what I can gather.
The film had been wound up to frame 3. After I figured out how to wind the film on, which requires winding forwards until it stops, then winding backwards until it stops, and then winding forwards to the next frame number, I wound it on to frame #4. The accessory on top is another odd bit I found at the same shop; a Voigtlander Kontur viewfinder. While not made for this camera, it fit onto the accessory shoe nevertheless. At first I had no clue what it was for. I then discovered how it works: you use both eyes!
This is what you see:
I went for a walk around the lake with the camera, my exposure meter, and wife. I rated the film speed at 100, to give it a bit more light, since it was so old. Last night I developed the film in caffenol, using this recipe:
600ml water at 20 degrees C/ 38 gms Arm & Hammer washing soda (monohydrate)/ 10 gms vitamin C powder/ 24 gms Maxwell House instant coffee/ 8 gms table salt.
I presoaked the film for 10 minutes and poured out the bluish water, then in went the caffenol. One minute of agitation, then 20 more minutes in the tank, agitating at one minute intervals. 21 minutes is longer than normal, but I wanted to overdevelop, again to compensate for the age of the film, assuming it had lost some vitality. Rinse, fix, wash. I was pleasantly surprised to see 9 images. The edges were fogged, but there was enough detail and contrast to get halfway decent results from the scanner (Epson V600) using a little backlight correction to brighten the images and compensate for the density of the colour film base. Ektacolor is a C41 film, with a slight brown tinged base stock.
I have another old expired roll of colour film in a 35mm camera, waiting to be processed. Time to get more coffee however, as my jar of Maxwell House is empty.
Oliver and Olympia are the names of the twins in my book The Magic Typer, so when I found a very unusual little Oliver typewriter for sale this week, I was delighted. The Oliver #4, as my research on the TWDB attested to, is mighty uncommon. This one dates from 1953, and is in such perfect condition that I assume it has been very carefully looked after for 67 years.
It works like a charm, but is a trifle loud. The design floors me; the round key-tops, gracefully curved top, colour matched spools, and the kicker – the punched thru logos on the top and feed table. They both have a red insert, but the feed table insert is transparent, and will glow under the right lighting. It will also cast its image onto the table!
This is one for the permanent collection, right up there with the Hermes Rocket and the Olympia Splendid. It reminds me very much of those two, more Olympia than Hermes, but having the same essence of quality in the design and build. I also picked up a fine old folding camera at the same time, a Baldix 6×6, along with a strange little viewfinder that was not with the camera. The viewfinder is a Voigtlander Kontur, a clip on device that was made for some Voigtlander 35mm camera, naturally, but which works with any camera that has an accessory shoe on the top. I had no idea what this was until I looked it up and discovered how it works. It has no view as such, but a black frame within which are some lines that let light in and create a bright frame. Keeping both eyes open, you will see the bright frame lines superimposed on the view from your other eye. Once I got the hang of it, the thing works like magic.
The camera dates from the early 50’s, like the Oliver, so they seemed like a perfect set. There was an old roll of Ektacolor Gold film in the camera, with only 3 frames exposed, so I shot the rest of it and will attempt to develop it in caffenol, which works on C41 film, albeit not particularly well, but it does develop. Ektacolor? That film was never sold here, and any I could find on line expired 23 years ago. Typewriters never expire however.
While I was filing my latest negatives I chanced to take a look at the first page of my files. I decided to scan that film, which I shot in 1970 in Montreal. There among other things were pictures of two different domes, built 120 years apart. The first was the Bonsecours Market, c. 1847, a building that was not only a market but briefly the Parliament of Canada.
Fortunately this building was saved from demolition in the 1960’s. Countless other treasure like it were demolished to make room for atrocious apartment buildings, etc. Another world class marvel was this:
The 1967 Montreal World’s Fair was the greatest fair ever held, if you count the attendance; over 50,000,000 visitors! I was there, lucky for me, and visited almost everything, including this building, the American pavilion. It was designed by Bucky Fuller, and is the largest and most spectacular dome of its kind ever built, and is still in existence – minus the acrylic skin, which burned off. The structure survived. They were planning to dismantle this one too, but somehow it was saved. I recall the fact that if they were to raise the temperature several degrees inside, the whole thing would have easily floated away like a hot air balloon.
Film: Kodak Tri-X 400, developed by me in unknown developer, probably Kodak D76 powder.
Here are some recent BW scans from several rolls of Kentmere film I shot in the past 2 weeks, using a Minolta SRT 101 and a Nikon EL. For those who care about lenses, I used a Rokkor 50/1.7, a Nikon 55/3.5 micro (reported to be the sharpest of all Nikon lenses @ $5), and a no name 28mm Japanese lens good enough that I can’t see any difference between that and the others.
The purpose of shooting film and developing it at home is to become frustrated, screw it up, and carry on until you finally get something decent, which describes how it seems to go every time. But the results can be fun, and interesting.
If you just want a good picture, find a Canon A510 or something like that for $10 in a thrift shop.
But if you want some excitement, combined with a way to waste some time using old and simple do it yourself methods, then Caffenol developing is the thing.
I just added another old Eaton’s phonograph to the collection, the Eaton’s “Roamer’ (model 50-26), made by Dominion Electrohome Industries, the company that I assume later became simply Electrohome. A previous post covered the Eaton’s 703. Presumably you could roam about with this neat little unit in hand, taking it over to a friend’s apartment to listen to the latest music:
It’s hard to determine the date it was made, but my guess is the 1940’s, before the advent of the LP, since this machine is made to play 78’s. It was on the shelf with the electronics at the thrift shop, where I spotted it immediately from the old style box and handle. The power cord was cut off so there was no way to test it, but for twenty bucks I decided it was worth a gamble. I saw from peeking into the underside that there were two vacuum tubes, so I figure that if it didn’t work I could convert it into a 5 watt guitar amp. However, after I soldered on a new power cord it did indeed work. The tubes began to glow and a loud hum was heard from the speaker. I put some silicone lube on the platter spindle and the platter began to turn very fast.
Looking at the pickup I noted an offset stylus with some sort of dark point, that I assumed to be the sapphire, or some such thing. The pickup itself was made by Shure. With it humming and the platter spinning around quickly I reached for the nearest 78 album, and grabbed the first disc in the set – Xavier Cugat’s Waldorf-Astoria Orchestra playing Begin the Beguine.
How appropriate – my parents spent their honeymoon at the Waldorf Astoria in 1947. Maybe they even danced in the ballroom while Cugat’s orchestra played this song. Compared to my much older windup 78 phonograph, this one is high fidelity. It certainly does explain how those recording engineers managed to get decent quality edits from old recordings that exist only on 78’s from that era. They manufactured these discs with the highest technology of the time, as explained here: