Monthly Archives: April 2021
I like April, especially this year. I got my vaccine last Friday. Found a very good typewriter too, a 1963 Smith Corona Clipper which is in fact a Sterling for those of you who understand these things (Series 5A that is). This one has elite type, and best of all it scans to OCR almost perfectly. That can be a problem if you write a lot on typewriters and wish to scan and edit. I completed my 12th novel last week, 60,000 words typed and scanned and edited. Some of the scans were atrociously poor, others worked well. I try to use a variety of my collection of typewriters, so results vary when scanning. The benefit of smaller type is that you can write more on a line before having to return the carriage, which interrupts the flow. Less interruptions are desirable to keep the words flowing.
Now that I have finished this book and also the latest guitar, I think I’ll take a break and do something else for a while. Maybe write some more poems. Here’s one from last night. I typed it, then scanned it and edited the text, then printed it and scanned it to a JPEG!
Recently finished this guitar. Maple body, cypress top. Hand rubbed French polished sunburst finish, somewhat like the bass I made before this. The yellow stain is made from turmeric in alcohol and the red brown colour is Dark Brown leather dye, which works on wood. I used that on the entire maple body and neck. This guitar is a full depth body of 4″ with x braced top like my previous Corona models. Previous models of this design were 3″ deep, so this one has a bit more low end. As part of this experiment this top has less arch, and I used cedar for the braces to see how that might effect the tone. Conclusion – it worked out very well. It’s loud and bright but more mellow than my normally arched tops. This one is perhaps the best of the bunch of Coronas, due to the balance between attack and sustain. It certainly holds its own in a jam and is not at all nasal, although real loud!
Strung it with Martin 80/20 light strings, to my ear the closest thing to Argentines at far less cost. 80/20 bronze alloy (4:1 copper to tin) is thousands of years old and the same stuff they make church bells of etc, so the magic formula hasn’t changed over time. I made the head-stock joint lower down on the neck this time, which I think I now prefer the look of. With a 2 way truss rod I can dial the neck from flat to whatever relief I want. The neck is on the fat side, a bit larger than usual but I like the feel of that too, as it is substantial and will be very stable, especially being hard maple. The fingerboard is extra thick as well, which contributes to the overall stability. With zero tension on the truss rod, the neck has a bit of relief. I dropped that to a tiny bit for now, but it is very easy to tweak it either way.
The bridge is Japanese, and rosewood this time as opposed to ebony on my previous ones. Rosewood is better to work with than ebony, which is brittle as heck. I had to cut it down a bit since they come too tall for this design.
Tailpiece is gold plated steel. I made the wood insert for it as they come without one. Hard to argue with the low price of stuff from China, and it’s really not bad looking. The brass ones cost almost 10 times the price !
My latest novel is now available on Kindle. I set out to write a story about a poet who lives in his Mom’s basement and is enthralled by a book by a professor Schlitzenberger called The Wisdom of Gandalf. No sooner did I begin than somehow my brain hijacked the plot and turned the story into a sequel of my book The Magic Typer! I don’t know how that happened but one rule I follow when writing is to go with whatever crazy ideas come through my fingers onto the paper. So this guy, Warren, lives with his mother, but upstairs there is a girl that he is in love with, named Olympia. She of the Magic Typer, but this is 20 years later. I won’t say more, maybe you’ll read the book! I had a great time writing this one, and it’s filled with excerpts from a fictional book about Gandalf (you know who he is), as well as lots of poems and bits of another novel, plus letters that should amuse.