Tag Archives: plein air painting
Old Paint for a New Sketch
Filed under Poetry, Sketching, Typewriters, Uncategorized
Alpine Fantasy
imaginary alpine scene
That could be me coming to a bridge over an idyllic mountain stream, but I just made this scene up while testing some new paints. One of those peaks could be Mont Blanc, too! In less than 2 weeks I will see for myself when I arrive in Chamonix to hike the trail known as the Tour du Mont Blanc, or TMB. Training with a pack is one thing, but trying to decide on what to bring is another. The perfect is the enemy of the good, yet I waste hours of thought and time dabbling with various paints, brushes, papers and so on, until I almost feel like forgetting about sketching altogether! However, that would be dumb, because I know that when I get there I’ll be itching to do a sketch – so around it goes. This fantasy was done on heavy watercolour paper using cheap acrylic paints that came in a set. The tubes hold 10ml each, and as soon as I squeezed some out I knew that 10ml would not be enough. For one thing the paint is too thin, and doesn’t cover anywhere nearly as well as high quality paint does. Regular size tubes hold 60ml, which is way too much, but there aren’t any good paints sold in smaller tubes. Winsor Newton makes sets of 20ml tubes however, so I may try those. No doubt it’s decent paint. On any hiking trip you one should keep the gear down to a minimum, thus my sweating over the size of the paint tubes. It seems ridiculous, but ounces add up to pounds, as they say. Two more weeks to get it all sorted…
what to take?
Filed under Great Hikes, Painting, Uncategorized
Plein Air Sketching
Plein air: a term for sketching or painting outdoors.
Recently I read a wonderful book, Defiant Spirits by Ross King, the story behind the famous Canadian painters known as The Group of Seven. They used to journey out into the great woods with portable painting kits, and did many little oil sketches as studies for larger, more complex works that were produced later in studio. I had been toying with oil paint, hoping the magic of oil might suddenly be revealed to me, but my experiments with that medium have resulted in frustration, so for now I am sticking with acrylic, my favourite paint. Acrylic is simple and easy to clean up – that’s for me! I took my sketching kit out this afternoon with some 8×10 panels, a good size for carrying around.
I am trying to keep in mind not to overwork my sketches; to stop just before they seem finished. Usually they are truly finished at that point. I may have overworked this, but I hope not too much. It was a cool, dull afternoon on the side of the mountain looking out to the distant hills. I was lost for over an hour, as the sky spit a few random drops and the breeze caressed the hillside. Sometimes a grey day can be more beautiful than a sunny one.
April afternoon, Garry Oak meadow
Plein Air Day
Sometimes we just stop doing things for no apparent reason. For the past year I didn’t do any painting. I can’t figure out why. However, today was the annual Plein Air Challenge here, sponsored by a local art store. I’ve done it the past few years and decided I’d take part again. Last night I put my kit together and this morning I went out and did a painting. I was rewarded with a beautiful day, and a very pleasant time spent closely observing a boat and the harbour. One hundred and thirty people came out, and it was great to see them all over downtown with sketchbooks and easels. There were no prizes for artwork this year, only door prizes selected at random. I didn’t win any but I felt like I’d won a lovely day enjoying myself. Maybe I’ll be back painting and sketching again before I know it.
Filed under Painting
Plein Air Aftermath
After the Mothers Day paint in I didn’t do any art for a week, until today. This afternoon I went out to a national historic site, Fort Rodd Hill, and sketched in the warm sun for two hours. The painting board was 12″ x 16″ and I spent about 2 hours, which means I covered 96 sq. in. per hour. At the Mothers Day paint in event I worked on a 9″ x 12″ board for about 4 hours, covering 27 sq. in. per hour. So today I worked 3.55 times faster than last week, and I think the result was as good or better. They say ‘haste makes waste’ but I say sometimes it doesn’t pay to work too slowly. Procrastination also has benefits, too.
Fisgard Light from Fort Rodd Hill, Victoria – 96 sq in/hr
Mothers Day – 27 sq in/hr
Filed under Painting
Plein Air Mothers Day Paint In
the final warm up sketch
I got one good sketching day in last week before the big day Sunday, Mothers Day. I sat in a glade of trees on the grounds of the oldest school in the Province of BC – the Academy of the Sisters of St. Ann. The sister came here via Cape Horn to found schools and also the first hospital, which was across the street from the grounds of the school. The city has surrounded the grounds on three sides but the south side gives onto the park. Now it’s an oasis even more than ever, as huge modern towers full of condos and hotel rooms have sprouted up all over. As I finished up an old fellow suddenly appeared on the rock wall in front of me, puffing on a smoke – then I quickly sketched him in and he was gone. I think the human interest makes the sketch.
Today was the paint in, and we arrived early and got a good start. We didn’t stray very far from the starting point, finding a quiet parking lot where we spent four peaceful but intense hours doing our artwork. Before I finished I decided the sketch needed human interest, so I added a street person pushing a shopping cart across the parking lot. Then we started to clean up, and I no sooner stood up from my stool than a street person came along pushing a shopping cart. It’s a common enough sight, but I was still blown away by this happening right after I made up just such a person, as if the painting had summoned them from wherever they were going and compelled them to cross in front of us just as in the sketch.
Victoria City Hall from the parking lot across the street
Plein Air Countdown T-10
Fountain Lake – Beacon Hill Park – Victoria
Yesterday’s outing produce this sketch of Fountain Lake in Beacon Hill Park. The lake was built in 1888 before the park was designed by Scottish landscape architect Blair. I find the abundance of green tones a huge challenge, obviously!
I was also prompted to pull out my Brother 750TR after reading about poet Les Murray and his very similar machine on oz.typewriter. But oz also had a post about typewriters used in the Fuhrer bunker, notably Adlers. I pulled out the Brother and gave it a short workout on the bench to see if there was ink left in the ribbon. Good enough. I carried it up stairs. Then I went to the living room and saw my Adler Tippa behind the couch. Which one to use? I set up the Adler on the table, fed in a piece of 9×12 sketch paper, the closest thing at hand, and just blurted out the first thing that came to mind. Maybe the Brother tomorrow.
Filed under Painting, Poetry, Typewriters, Uncategorized
Plein Air Countdown T-11
Home Made Camera Obscura
I’ve been thinking about how to improve my perspective – the sketches, not my life, but maybe both..hmmm. In the shop I found the old windshield I made for my long gone Kawasaki 1000 – a thin piece of lexan that I removed when I sold the bike and put the factory windshield back on it. I taped a 9×12 inch frame on it and using a Sharpie pen and one eye I traced what I saw on the table. Then I traced that with sketch paper. Next up, a sheet of carbon paper, and a 9×12 piece of cheapo practice canvas. Another tracing – it was like the ancient past of my life, always tracing things before the days of CAD drawing made architects have to work ten times faster just to keep in the same place. After that it was a mere case of applying paint. Well, the perspective was fairly real. I’m also experimenting with “Golden – Open” acrylic paint, which dries much slower than regular acrylic. It was good to be able to use up all the paint on the palette before it dried.
the finished sketch
Here’s how I did it. First the old windshield with tape. Then propping it on the edge of the table I outlined the scene with the black marker. The main difficulty here is holding the lexan up. Some kind of stand would be good for field use.
lexan with ink sketch
Then the ink sketch was traced onto tracing paper.
trace of a tracing
Then the paper tracing was traced onto the canvas support with carbon paper.
tracing onto the painting support (canvas) with carbon paper
Then on with the painting. I taped the cheapo canvas sheet onto a plastic backing with double sided scotch tape.
painting taped to a plastic signboard backing
Of course this sort of “camera obscura” works well at 9×12 and smaller. For larger works you’d need a really big piece of lexan!
nathanguitars 