




This from our national broadcasting corporation, or as my old friend from 6th grade use to call it – The Canadian Broadcorping Castration:

Take this, language experts!
We had a powwow with some savages. It was spooky how the lame crippled gypsy and the black sheep brainstormed how to sell their spirit animals down the river, like a first world problem. Gypped, I knew it was third world blackmail, but they had a tone deaf blind spot when it came to the tribe. If I hadn’t been grandfathered in, I’d still be In the Ghetto, like Elvis.
Filed under Uncategorized
Every November for the past ten years I’ve sat down with typewriter and written 50,000 words (at least) about something. First there were novels, and eventually there was a memoir, then an account of my hike around Mont Blanc. Two trilogies later (one with a 4th book), a humorous philosophical tale, and a variety of things have come from my mind onto paper. I spent a year of spare time editing only one of these, and many hundreds of hours editing every last thing I have written to date. Since writing two books last year, one in November and another that followed right on the heels of that, I have had in the back of my mind that this November I would just sit down and do it again. Then it hit me that I really didn’t have to do it again. I decided to allow myself to fail. What a relief! The fact remains that at this moment I don’t have much to say. Part of the problem is that after you have written a lot of books, there comes a realization that you can do it if you want to, but there’s nothing to prove anymore. It would have been great if my books had shot to the top of the best seller list, but that only happens with the rarity of lottery winning, and from what I observe a lot of best sellers are pure crap. I don’t want the life of a professional author anyhow, running all over the place promoting their work and listening to people who don’t have a clue discussing the meaning of it.
What I am missing is the pleasure of having my Olympia Traveller on my lap and hammering out 1700 words a day, then reading what I wrote to my wife every night. One day I might write another fictional book, but my next writing project will be to finish up the book I started long ago about how to build a guitar. Now that might sell, as the world seems to be filled with aspiring guitar builders these days. Where do they all come from? Why are there so many more guitars than guitar players? Do pianists all own a dozen pianos?

So, to keep up my typing dexterity and to taste the pleasure of putting words to paper I’ve been writing poems every Friday night after the pizza. My wife writes one too, on her sole typewriter – a 1953 Oliver #4 – one of the cutest and best typewriters ever conceived (and I’ve owned 200 of them). Unlike me, she’s perfectly content with one good typewriter. I still have to restrain myself from adding to the collection however, which stands at 97 today. I have one up for sale however, which is proof that I’m not hoarding them, right? Every year we design our own Christmas card and write a poem for the inside. I’m working on that now, but the poem takes the most work. To get into practice I wrote a couple of poems off the top of my head, which will very likely not be suitable for the Christmas card, but might be good enough for this blog. Well, maybe not but I wrote them so I’m going to put them up.


Filed under Christmas, NaNoWriMo, Poetry, Typewriters, Uncategorized, Writing
49 years ago I bought the guitar of my dreams, a brand new Martin D35. In those days I was in love with Gordon Lightfoot songs, the Beatles of course, and all that music that sounded great on a big flat top guitar.

But the years passed and so did my taste in music, so 24 years ago I sold the D35 and moved on to jazz. However, the circle of life comes around like the seasons and so I recently decided it was high time I had a big “folk” guitar again. The Martin dreadnought, or D type guitar is the most copied guitar in the world, because it is like a battle ship that fears no man or woman. But it is big, a bit too big for me now that my shoulder and arm can’t take long hours of being draped over a huge guitar. I checked around and found the next best thing – a Taylor Grand Auditorium. This guitar has a narrow waist that allows it to sit lower and thus is less painful on the strumming arm. It was designed to compete with the Dreadnoughts, and by and large it can, although it’s a little smaller. The D size guitars are very large and in the opinion of many guitarists the 000 Martin is the acme of flat tops. While I tend to agree, I had already built one of those many years ago, and I wanted something different. Hence the latest guitar – my version of a Taylor Grand Auditorium, complete with the “all new, improved V bracing”.
Here is my latest guitar, #37, successor to my long gone D35, which I expect is still out in the world being strummed somewhere.

Taylor is converting their guitars to this v shaped bracing system, away from traditional x braced tops. They claim to have invented it, but it’s been around a long time in one form or another. I just copied their design however, figuring they had already done all the testing for me. I played a few examples and while they were no better than some of their x braced guitars, it seemed like an adventure to try a new design. I already made several ukuleles with v braces and I knew they sounded really good, better than the fan braced ones I had made before.
The guitar sounds great for folk music, no good at all for jazz, which is how it should be. I already have a dozen jazz guitars!

For the record: cypress top, cypress braces, African mahogany body and neck, rosewood fingerboard, ebony bridge. Tuners are Gotoh 510, 1:21, the smoothest damn tuners on earth and worth every cent of the hundred bucks they cost. Strings are D’Addario EJ15 phosphor bronze, extra light. Even with extra light strings this thing is loud. I might up the gauge when I change strings, but the trade off is more volume for more work, and I have lazy old fingers.
Body is 16″ x 20″ x 4 5/8″ deep, same as Martin D. The nut is 1 11/16″, exactly the same as my old D35, as is the bridge. Scale length 25.5″, just a tad longer than Martin’s 25.4″ scale, so it feels like a D35 in my hands. Now to go practice “Did She Mention My Name”. Today’s pop music is so banal and crappy it’s not worth listening to, so thank heavens we have Gordon Lightfoot, who is still alive! He should have got the Nobel Prize, not Bob Zimmerman… the worst performer I have ever seen. But BZ wrote some good songs. I may play one of those later.
Filed under Guitars, Music, Uncategorized